Series III: Villanelle &
Related Forms |
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The material in each of these two volumes took about a year to
produce. Volume I defines and explores the villanelle and terzanelle poetic
forms and Volume II expands this exploration to include the hybridanelle,
a poetic form that combines the structures of the villanelle and terzanelle into
one. There are times when I feel that maybe I'm wasting my energy by spending so
much of my time working with such constraining forms, but then I look back and
realize how much I've learned through this process, and even what I've created.
The way I have gone about educating and training myself is extremely difficult
and unyielding work, yet it is work that so far continues to yield worthwhile
results.
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I've recently updated all of
these chapbooks to reflect my transition to the use of "Zahhar" as my penname.
As of February 2006 I have enough material to produce a new chapbook for this
series, but I haven't yet had the opportunity to put it together. I'm hoping to
have this opportunity by the end of June 2006.
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Volume
I: Stepping Stones (Read
as PDF)
An Exploration of the Terzanelle and Villanelle
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revision 3
- 36 page chapbook containing 12 terzanelle and 12 villanelle poems. The poems
are presented in the order they were written, which spans a three and a half
year time-frame, though most of the poems are written between June 2003 and
April 2004. This chapbook begins with technical information about the terzanelle
and villanelle poetry forms.
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Volume
II: Cloudscapes in Passing (Read
as PDF)
- 36 page chapbook containing 7 terzanelle, 7 villanelle and 5 hybridanelle poems.
The hybridanelle is introduced in the first chapter with a clear explanation. It
is a poetic form based on the villanelle and terzanelle. The poems in this
volume were written between May 2003 and
March 2005.
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Volume
III: Faded Parallels (Read
as PDF)
- 36 page chapbook containing 13 hybridanelle poems.
Starts off with an article about alternatives to rhyme, which is pretty involved
and gets a little into associative parallelisms. The poems in this
volume were written between April 2005 and
July 2006.
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Series II: Free Verse |
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This will be the slowest growing
series. Most of my attention goes to exploring more structured forms
because I feel like they have more to offer me for the moment. However, I'll
never abandon free verse poetry. In fact, after I complete my long term projects
with structured forms I plan to explore free verse quite because I want to see
how my time studying structured forms will have ultimately affected the way I
approach writing free verse poetry.
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After four years I have finally added Elegance of
Instinct, Volume II, to this series. The title is taken from a phrase in
"The Mother", a poem on page 13 (page 15 in the PDF file).
On the inside cover I've included a poem by a friend, Alan Polson, titled "The
Unusual Path". Mr. Polson sees my path in life as being pretty unusual, and he
seems to respect the trials involved. He's been a supportive friend over the
past several years.
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Volume
I: The Unusual Guest (Read
as PDF)
- 36 page chapbook containing 22 both open and metric free verse poems. This
volume focuses on a theme of general self disclosure with the poems organized
into four themes: Some Understanding, Loss, Effect and
Quest. Heading off this chapbook is some light discussion about the nature
of free verse and the conventions I use when writing free verse.
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Volume
II: Elegance of Instinct (Read
as PDF)
- 40 page chapbook containing 31 free verse poems. This
volume basically organizes all but a few of the free verse poems I've written
since the middle of 2002 into four loose themes: Flashbacks,
Contemplation, Connections and Reflections. Heading off this
chapbook are some thoughts about how my free verse writing has changed over the
past four years.
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Series I: Ghazals in English (reviews) |
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These four volumes are the result of two years worth of
almost
constant work with and study of the ghazal. My aim has been to reproduce, as
closely as I may, the traditional Indo-Iranian ghazal as an English art form. I
may or may not have succeeded. I hope I may have at least been
partially successful in presenting a solid, positive example of what is possible
for the English written ghazal.
Aside from presenting an average of 25 ghazals per volume, a
total of 100 throughout, each volume also provides information and insights
about the ghazal, resulting from my research and time spent with this art form.
This work with the ghazal has taken me through a profound evolutionary process
in my understanding of the ghazal itself, its history, its cultural ties, and
poetry in general. The volume titles may seem unusual and bland at first,
but the titles themselves are intended to convey information about a primary
aspect of the ghazal art form, its mono-rhyme and refrain.
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Although I finished my ghazal project in
June 2003, I continue to revisit these chapbooks to make further revision. The
revision number for each chapbook is listed next to the volume title.
I began studying poetry very seriously around the same time I started my work
with the ghazal. As a result, Series I grew and matured with me as I learned
about poetry and related subjects.
When I wrote the ghazals contained in Discovering English Ghazal, my
understanding of verbal metrics was rudimentary. Mostly, I just counted
syllables in an attempt to create metrically consistent lines. Today my
understanding of verbal metrics and poetry in general is much more advanced than
it was when I started this project in September 2001.
Wherever possible, my revisions work to improve the meter, presentation and
impact of the ghazals.
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Volume
I: Discovering English Ghazal
(Read as PDF) - revision 8
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24 English written ghazals organized into 5 themes: Reason,
Expressions, Trees,
Women and Kismet. This volume begins with succinct, but comprehensive
information about the ghazal's origins, composition and how it can be written in
English.
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Volume
II: Uncovering English Ghazal
(Read as PDF) - revision 6
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25 English written ghazals organized into 4 themes: Affliction,
Condition, Passing and Realizations. This volume begins
with two insightful articles about the ghazal itself.
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Volume
III:
Recovering English Ghazal
(Read as PDF) -
revision 2
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25 English written ghazals organized into 4 themes:
Distress, Ponderment, Calling and Transcendence.
This volume begins with discussion about the origin of the penname used in the
ghazals.
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Volume
IV:
Rediscovering English Ghazal
(Read
as PDF) - revision 2
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26 English written ghazals organized into 4 themes:
Bonnie, Apparitions, Frames and Dissent. This volume
begins with discussion about my experience with this ghazal series.
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General informationGeneral
Journeys Into Poetic Forms is
an exploration of poetic forms that are of interest to myself. I do not have
plans to eventually explore every possible form of poetry. The poetry forms I do
explore I study in detail over the course of years. I will also be inventing new
forms of poetry as time goes on which will be explored in this series as well. The
notes above each series are used to provide information about that series. The
notes to the right of each series are used to provide news and
updates about that series.
Resources
You will need the Adobe Reader
installed on your system before you can read these chapbooks, which are PDF
(Portable Document Format)
files. You may go to the
Acrobat Reader download page to download and install this application.
Most Recent Works
You can find my most recent work along with a picture of me posted at
AllPoetry.com (AP). This
is the one online poetry forum where I'm a regular participant. The poems I post
at AP include poems that will be featured in upcoming volumes of this chapbook
series. Here you'll be able to post your thoughts on my individual poems and essays
at AP if you like (you'd have to setup an account). Either way, you'll be able
to read comments others have made.
Contact
Though this is a printed chapbook collection, they are not
for sale. Mostly, I give copies to acquaintances, friends and family who are
interested in following my work. This allows me to keep the collection more
organic. If you have questions, comments or concerns, please contact me at
Erin
A. Thomas <wornways@mochinet.com>.
Donations
Please consider making a personal donation if you feel an
affinity with the work produced here.
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